Call for Papers
Land and People in the Northern Highlands: The Strathnaver Conference
University of the Highlands and Islands (http://www.uhi.ac.uk/en/)
Bettyhill, 4-6 September 2014
Deadline: 31 march 2014
Call for Papers
The Hungarian Journal of English and American Studies (http://dragon.klte.hu/~hjeas/) is a peer-reviewed journal of the Institute of English and American Studies at the University of Debrecen, Hungary and is available from JSTOR and ProQuest. Editor: Donald E. Morse. Part of volume 21 (2015) will be devoted to Scottish Studies; guest editor: Attila Dósa (University of Miskolc, Hungary).
In Scotland, the last few decades saw two referenda on the decentralisation of political decision-making and the country is now on the doorstep of a third referendum to gain independence. The growing self-confidence in politics has been matched with a growing confidence in fields of cultural production including, most notably, literature. Though political notions of nationalism seem to have been losing ground in certain contexts, it is hard to see the 2014 referendum as other than a wished-for
(at least by some) culmination for the age-old struggle for self-determination. At the same time, literature seems to have entered a post-national phase and critical discourses currently in vogue have been using the rhetoric of hybridism and diversity with an aim to divest it of essentialist or nationalist undertones even though Scottish literature was especially rich in both in the 1970s–1980s. Due to recent changes in politics and an impressive growth of literary production, and with the expansion of the field of Scottish Studies over the borders of Scotland, in the past few decades criticism has followed suit and theoretical structures are being revised or done with altogether at great speed. But where is the field now?
HJEAS invites contributions exploring the present state of Scottish Studies with reference but not limited to the following topics:
Please send a proposal (200 words) accompanied by a short CV to the guest editor, Attila Dósa aitdosa@uni-miskolc.hu
Deadline for proposals: 31 March 2014
Notification of acceptance: 15 April 2014
Delivery of completed papers: 31 August 2014
Contributions should conform to the latest edition of the MLA Handbook. Contributions on history may use the latest edition of the Chicago Manual of Style.
Further information on formatting: http://dragon.klte.hu/~hjeas/submitting-manuscripts.html
Deadline for abstracts: 1 March 2014.
Call for papers: Between.2014 CFP
The conference will take place as part of the New Beginnings.Otwarcia international festival of literature and theatre held in Sopot and Gdańsk from 12 to 18 May 2014. This is the fifth annual festival/conference organized by BETWEEN.POMIĘDZY.
For information on previous festivals/conferences, see http://www.betweenpomiedzy.pl
For further information, contact the organisers at between@ug.edu.pl
Call for papers and more info: http://sfee2014.wordpress.com/call-for-papers/
Organisers:
Prof. dr hab. Aniela Korzeniowska, University of Warsaw
Dr hab. Izabela Szymańska, University of Warsaw
Call for papers and more info: http://www.scotlandineurope.angli.uw.edu.pl/
With globalisation and multiculturalism increasingly influencing modern societies, the issue of identity is gaining new dimensions, and academic research on identity is gaining new momentum. The topic of identity finds its place in a vast array of academic disciplines, including psychology, sociology, ethnology and cultural anthropology, history and political studies, linguistics, literary and cultural studies. The problem of searching for and expressing the identity of individuals and nations surfaces in social and political life, including education, as well as in literature, architecture and the arts.
This volume offers a variety of analyses and views concerning Scottish identity. Scotland may be considered one of the most vivid examples of the issue of identity inspiring academic reflection and research from diverse perspectives due to the country’s intricate political, social, linguistic and literary history, as well as to its troubled relationships with England and its complex relationships with Europe. [from Introduction]
Izabela Szymańska, Aniela Korzeniowska
Introduction: Perspectives on Scottish Identity
Part I. Constructions of Scottish Identity
Piotr Stalmaszczyk
The Linguistic History of Scotland. Focus on Gaelic
Alina Doroch
Scottish Gaelic as a Medium of Upholding National Identity
Katarzyna Kociołek
Virtual Identity of Ulster-Scots
Michał Mazurkiewicz
Sport in Scotland. A Brief Study of a Certain Aspect of Scottishness
Monika Izbaner
Mr and Mrs Scotland Are Not Dead – Restating Scottishness
Part II. Scottish Identity in Literary Discourse
Mario Ebest
Coming to Terms with the Agony of the Highland Clearances – or Not? An Analysis of Two Novels from the Point of View of Traumatisation
Monika Liro
The Quest for Norse Roots. Orkneyinga Saga in George Mackay Brown’s Novels and Short Stories
Dominika Lewandowska
Alasdair Gray’s 1982, Janine and James Kelman’s How late it was, how late as Acts of Literary Resistance
Inside and Outside: Scottishness, Betweenness, and Plurality in Jackie Kay’s Poetry
Part III. Feminist Reinterpretations of Scottish Identity
Ewa Szymańska-Sabala
Genre(s) Revisited by Gender. Janice Galloway’s Constructive Infusion in Foreign Parts
Katarzyna Pisarska
Return from the Underworld: the Hero(ine) Journey in Alan Warner’s Morvern Callar
Glenda Norquay
Representations and the Representative: Twentieth Century Explorations of Gender from North East Scotland
Part IV. Construals of Scottishness
Wojciech Lewandowski
Scotsmen versus Englishmen: Ancient Antagonisms as Depicted in a Belgian Comic Book
Lucyna Krawczyk-Żywko
‘Werewolves in Kilts’: The Not So Steampunked Scotland in Gail Carriger’s Parasol Protectorate Series
Uwe Zagratzki
The Perception of Scotland in Modern Germany
Małgorzata Czajka
Strangeness and Fear: Decoding the Scottishness of Sandy Stranger
Part V. Images of Scotland
Sławomir Wącior
From Slate to Jupiter – Poetic Patterns of Edwin Morgan’s Sonnets from Scotland
Paweł Rutkowski
Scotland as the Land of Seers: the Scottish Second Sight at the Turn of the Eighteenth Century
Andrzej Weseliński
The Supernatural in Scottish Folktales
Markéta Gregorová
Towards a Heterogloin the Scottish Novel
Over the centuries the links between Scotland and Europe, not to mention the much wider world beyond the European continent, have had a varied history, with Scots emigrating to all corners of the globe and making a significant impact on the countries in which they have settled. At the same time, Scots at home, with their interest in the humanities and science and what lies beyond their own borders have given the world a great deal in discoveries, learning, culture and the arts, at the same time always being ready to learn, borrow from others, and take advantage of what could broaden their own horizons. The Scots in certain periods in the past formed a very significant presence outside their own home country, whereas in Scotland, education, culture and the arts developed and expanded also thanks to what was in constant flux just over their own border as well as further afield, in Europe particularly. Relations between the Scots and the European continent have always interwoven. The latter has always been a visible presence in Scotland whereas the Europeans have also never been indifferent to the Scots. [from Introduction]
Table of Contents
Aniela Korzeniowska, Izabela Szymańska
Introduction: Scotland and Europe Interwoven
Part I. Scotland in Europe
Paweł Hanczewski
Scotland in European Politics
Waldemar Kowalski
Scotland, the Scottish Diaspora, and the Wider World in Recent Historiography
Katarzyna Kłosińska
The Successors of Florence Nightingale. Scottish Women on the World War I Western Front
Petra Johana Poncarová
A Tale of a City: Edwin Muir and Prague
J. Derrick McClure
Approaches to Translation in Iain Galbraith’s Beredter Norden
Part II. Scotland in Poland
Scrooges and Smugglers – a Potted History of the Scottish Presence in Poland
Joanna Kopaczyk
Scottish Papers in Early Modern Poland: a New Resource for Historical Linguists
Katarzyna Gmerek
Scotland in the Eyes of Two Polish Lady Travellers (1790 and 1858)
Barry Keane
Poland’s First Stage Adaptations of Arthur Conan Doyle’s Sherlock Holmes
Izabela Szymańska
The Image of Scotland in the 1955 Polish Translation of Kidnapped by R. L. Stevenson
Aniela Korzeniowska
James Kelman’s Polish 2011 Début with Jak późno było, jak późno (How late it was, how late) and Its Position within the Polish Literary Polysystem
Part III. Europe in Scotland
Krzysztof Fordoński
Neo-Latin Poetry in Eighteenth-Century Scotland – John Pinkerton Translates Maciej Kazimierz Sarbiewski
Stewart Sanderson
The Moon and the Pathetic Fallacy’: Guillaume Apollinaire and the Scottish Renaissance
Margery Palmer McCulloch
From MacDiarmid and Morgan to Lochhead and Kay: Bards, Radicals, and the Place of Europe in Modern Scottish Poetry
Part IV. Scotland and Europe
Barbara Kowalik
Animals as Signs for Societies and Rulers: a Comparison of Robert Henryson and Biernat of Lublin, with Reference to Geoffrey Chaucer
Małgorzata Grzegorzewska
English Rose(s) in the Gardens of Early Modern Scottish Poetry
Dorota Babilas
Queen Victoria’s (Re)discovery of Scotland
Jerzy Jarniewicz
‘Oh, poet, give me something I can see and touch’. Concrete Poetry in Scotland and Its International Context
Organised by the University of Edinburgh’s department of Celtic and Scottish Studies and part-hosted by the National Galleries of Scotland.
CALL FOR PAPERS
The recent upsurge of interest in early twentieth-century cultural nationalisms has raised the profile of the Scottish role in the cultural and nationalist revival movements of the late 19th and early 20th centuries. Especially during the key period between the 1890s and the First World War, the Scottish Celtic Revival movement witnessed a flowering of artistic, literary, and cultural activities that helped to shape incipient political and cultural nationalisms, both Scottish and pan-Celtic.
This interdisciplinary conference (1–3 May) will be organised by the University of Edinburgh’s department of Celtic and Scottish Studies and part-hosted by the National Galleries of Scotland. It will be supported by the Modern Humanities Research Fund and co-sponsored by the Institute for Advanced Studies in the Humanities (IASH), and the Centre for Theology and Public Issues (CTPI), University of Edinburgh. The conference will bring together scholars working on the art, music, folklore collection, literary production, scholarship, politics, Gaelic linguistic revival, architecture, and material culture of the period, in order to reassess the role played by the Celtic Revival in the creation of modern Scottish identities. Through an examination of the roots, rise, and withering of the Celtic Revival in Scotland, the conference will reassess the successes – and failures – of the movement in its widest context.
Sessional paper proposals are invited from scholars working in all disciplines concerned with the Revival and figures involved in it. Topics may include Celtic Revival literature in Gaelic and in English, Celtic Revival art, architecture, craft and book design, the varied politics of the Celtic revival, Pan-Celticism, revivalism in the individual Celtic countries and European nationalist movements, the collection and representation of folklore and folksong, Celtic revivalism and the historiography of academic Celtic scholarship, language revival movements and their relationship to cultural, political and educational developments, the invention of the ‘spiritual Celt’, the Celtic Revival and the Celtic diaspora, the legacy of the Celtic Revival, as well as key figures such as Alexander and Ella Carmichael, Patrick Geddes, W. B. Yeats, John Duncan, Marjory Kennedy-Fraser, Fiona Macleod (or William Sharp), Ruaraidh Erskine of Marr, Maurice Walsh, Granville Bantock, and many others. Paper proposals (up to 250 words) and enquiries about the conference can be sent to: CelticRevivalinScotland@ed.ac.uk
Deadline for abstracts: 31 March 2014
University of Gdańsk in cooperation with The State School of Higher Professional Education Elbląg
Crime narratives are among the most popular forms of storytelling worldwide and have played a central role in the development of national literatures. Detective and crime novels have developed beyond borders marked by language, culture and genre. The ability to replicate, explore, and interrogate its own conventions is one of the defining features of all types of crime fiction. The recent worldwide success of Scandinavian crime fiction shows that crime novels can be successfully translated into other languages and appropriated for other cultures.
The aim of the conference is to discuss crime fiction across national borders, across cultures, across languages, across genres, across arts and across different media. We invite papers which deal with one or more of the following points (the list is by no means exhaustive), in any given literature and country, or in international comparison:
Please send an abstract and a short biographical note to Agnieszka Sienkiewicz-Charlish at crimegdansk@gmail.com by 31 March 2014. The abstract should include a title, name and affiliation of the speaker and a contact email address. We welcome proposals from both postgraduate students and established scholars. Proposals for suggested panels are also welcome. Papers should be no longer than 20 minutes of presentation time and should be delivered in English.
Conference fee: 300PLN (75 Euro), Students – 250 PLN (60 Euro)
The fee includes tea and coffee breaks on all 3 days; lunches on the 11th and 13th; entertainment night on Thursday; conference reception on Friday and a delegate pack. Please note that accommodation is not included. There is going to be an informal conference warming in the evening on Wednesday the 10th.
For further information, please go to the conference website https://www.crimegdansk.wordpress.com, or contact the organisers at crimegdansk@gmail.com
Urszula Elias, M.A. (University of Gdańsk)
Agnieszka Sienkiewicz-Charlish, M.A. (University of Gdańsk)
Arco van Ieperen, M.A. (The State School of Higher Professional Education in Elbląg)
Marta Crickmar, M.A. (University of Gdańsk)
Joanna Szarek, M.A. (University of Gdańsk)
Prof. David Malcolm (University of Gdańsk)
Dr Monika Szuba (University of Gdańsk)
Professor Murray Pittock (University of Glasgow)
Professor Luísa Leal de Faria (Universidade Católica Portuguesa)
The culture of Scotland has frequently depended on a negotiation of opposites. A nation on the border of its more powerful, and linguistically victorious, Southern neighbour, Scotland developed its own centres of power, thought and knowledge. In several important stages of its history, the people of Scotland was socially and ideologically divided between the Highlands and the Lowlands, Presbyterians and Episcopalians, Unionists and Jacobites (including the more recent rift between those in favour of the Union and those in favour of Devolution and even national independence). Scots participated in the risks and opportunities of the British Empire, but many remained strongly attached to a feeling of national belonging which was emphatically not English. Scottish thinkers made far-reaching contributions to the Enlightenment, yet Scotland was – and is – one of the acknowledged cradles of the gothic. The themes and modes of Scottish literature, in particular, have often oscillated between the realistic and the fantastic, quixotism and pragmatism, with writers providing such impressive embodiments of contradiction as Dr Jekyll and Mr Hyde, and the many characters in the novels of Walter Scott who inhabit a world of recognizable places and problems but live in a world of romance.
This symposium addresses the problem of oppositions in all aspects of Scottish culture across the centuries. It is intended to focus on the persistence and/or resolution of tensions and discrepancies such as the ones mentioned above, taking into consideration the history, the thought and the literature of (and about) Scotland. At the same time, the event is meant to commemorate the 200th anniversary of the publication of Sir Walter Scott’s début novel, Waverley; or, ’Tis Sixty Years Since, a landmark in the history of the representations of Scotland and of the symbolic negotiations which involve past and present, realism and romance, politics and personal identity, Englishness and Scottishness.
Please include the following information with your proposal:
• the full title of your paper;
• a 200-250 word description of your paper;
• your name, postal address and e-mail address;
• your institutional affiliation and position;
• a short bionote;
• AV requirements (if any)
Registration Fee: 70 Euros
Student fee: 55 Euros
All delegates are responsible for their own travel arrangements and accommodation. Relevant information will be provided on the conference website – http://web3.letras.up.pt/scotland
Jorge Bastos da Silva (Universidade do Porto, Portugal / CETAPS)
Katarzyna Pisarska (Maria Curie-Skłodowska University, Lublin, Poland / CETAPS)
CETAPS – Centre for English, Translation and Anglo-Portuguese Studies
Faculdade de Letras da Universidade do Porto
Via Panorâmica, s/n
4150-564 PORTO
PORTUGAL
Phone / Fax: +351-226077610
scotland@letras.up.pt